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BILL  HART
                 "Stage stars arrived in Hollywood in droves,  all at fancy
             stipends, and the only one who made good was Douglas Fair-
             banks.  He  received  $2,200  weekly,  made  a  smash  hit  in  his
             first  picture,  'The  Lamb,'  while  Bill  was  still  getting  $400  a
             week from Tom Ince.  I recall that Bill's picture, 'The Disciple,'
             a  five-reeler,  followed  'The  Lamb'  in  New  York,  and  it only
             cost  $8,000  to  make.  It was  also  a  big  hit,  so  even  the wily
             Ince had to do something about his one great star, or wind up
             behind  the  eight-ball.  Bill  had  a  stubborn  streak  of  loyalty
             a  mile  wide,  but  he  finally  woke  up  to  the  fact  that a  tre-
             mendous  fortune  was  being  made  out  of  him,  while  he  was
             barely  getting  by.
                 "After  weeks  of  wild  bidding,  Bill  stuck  by  Tom  Ince
            and settled  for  a  raise  of  $8,000  a  week  from  $400,  though  a
             rival  organization  offered  $10,000.
                 "These  figures  should  give  you  a  rough  idea  of  what  a
            Klondike  Hollywood  was  in  those  days,  and  why  the  four
            first  great  stars-Bill,  Doug,  Charlie  and  Mary-made  more
            money  for  their  backers  and for  themselves  than anyone  has
            since  in  motion  pictures.
                 "Coming in  to  lesser  fame  with Bill  in  his  pictures were
            such  players  as  Dorothy  Dalton,  Louise  Glaum,  Bessie Love,
            House  Peters and Robert  McKim.  I  must add that Bill Hart
            made  one  discovery  who  became  famous.  He  was  a  young
            actor  getting  fifteen  dollars  a  week,  and  he  attracted  Bill's
            attention  in a  small  role  in  'Hell's  Hinges,' which  was  one of
            Bill's  best  westerns.  Bill  insisted  on  giving  the  boy  the  part
            of  his  younger  brother  in . 'The Apostle  of  Vengeance,'  which
            Ince fought  tooth and nail because it was the best part in the
            picture.  He  threatened  Bill  with  loss  of  salary  if  the  boy
            failed,  but Bill  stuck  to  his  guns.
                 "The boy was  Jack Gilbert!
                 "When  Bill  Hart  started  on  his  own  producing-starring
            contract  with  Famous  Players-Lasky,  he  broke  with  Ince,
            although  Tom  collected  fifty-fifty  for  two  years.  Bill  leased
            his  own  studio  in  Hollywood,  located  on  the  comer  of  two
            streets  with  very  romantic  names-Bates  and  Effie.
                 "Mack Sennett had originally built it for Mabel Normand.

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