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CYCLONE  KID  would  have  been  just  as  well  off   addition  to his  personal  appearances.
          perhaps  in  two reels.  Story trouble.               By  1935  Buzz  was  definitely  back  before  the
            Story is one of those impossible things that has   camera, playing second lead to Rex Bell in a series
          the youthful Buzzy Barton in narrow escapes. Caryl   of Resolute pictures, appearing in the AKO classic
          Lincoln is the heroine. Not much to the part as she   all-star POWDERSMOKE RANGE, and in films with
          played  it.  And  the  director  kept  her  as  silent  as   Bill Cody, Bill Elliott, Hoot Gibson, Jack Luden, Jack
          possible.                                           Randall, William Boyd, and Bob Steele. The little boy
            Second fiddle to Barton is Francis Bushman, Jr.   appeal  was  gone.  However,  Buzz demonstrated  a
          He looked the strapping, young ranch hand who fell   certain charisma that served him well, though it was
          in  love  with the  rancher's daughter.             obvious that  he  would  not achieve adult  stardom.
            Interminably padded.  Perhaps  part  of the effort   Had the war not interrupted his career, it is probable
          to  restore  westerns  to  their  one-time  popularity   that he would have gone on for some time playing
          niche  in  the  hearts of young America.            supporting  roles  in  numerous westerns.
                                                                Buzz  Barton's saddle  is empty now,  just as are
                         HUMAN TARGETS                        those of most of the western s_tars who thrilled au-
                      Variety,  January 26,  1932             diences around the world for half a century. By no
                                                              stretch of the imagination was he a major cowboy
            For an  up and at 'em western this is a winner.  It   star,  having achieved only a modicum of success.
          is  the  best  entertainment  yet  directed  by  J.P.   Nevertheless, he made his own unique contribution
          McGowan.  Strong  and  long  enough  to  stand  up   to Western Cinema and earned his right to screen
          alone  in  the daily-change grinds.                 immortality in the pages of Western film history in
            Although  it is  full  of socking, there is a realism   those halcyon days of yesteryear when  naiveness
          in  the  punching  not  often  found  in  this  style  of   was  vastly  more  fun  than  today's  ultra
          western.  Even  young  Buzz  Barton  puts  over  his   sophistication.
          blows with an adult bad cowpuncher convincingly.      For those of us old enough to remember, we will
            Young  Barton  looks a real  comer in the western   miss  the  whimsicalness  of  this  freckled-faced
          class. Still a lad,  he  has that certain  sincerity and   youngster  who  brought  to  life on  the  screen  the
          wistfulness of expression which makes him 100%      dreams of other kids. His pranks were amusing, his
          likeable.                                           escapades thrilling, and his horsemanship inspiring.
            Story and supporting cast in this are also excep-
          tional. Nicely knit together and unhampered by poor     PARTIAL  FILMOGRAPHY:  BUZZ  BARTON
          direction or editing, the theme moves into a climax
          that will get even the snobbish variety of fans clut-  LWEST OF THE  RAINBOW'S  END.
          ching  for the swinging  pay-off.
            Gold claims, cows, bad  men,  sheriffs, shooting,   Released ........................ August,  1926
          riding, battling--the whole galaxy is held together in   Distributor. . . . . . . . . . . . . . . . . . . . . . . . . . . .  Rayart
          manner far exceeding the jumbled routine followed   Length . .............................. 5  Reels
          by  the average  producer of westerns.              Director . ....................... Bennett  Cohn
                                                              Producer . ........................ Harry  Webb
            Buzz starred in 14 F.B.O. sagebrushers, lucky to   Scenario . ......................... Daisy  Kent
          have been associated with a studio that took a lit-  From  a  Story  by . ............. Victor Rousseau
          tle pride in  its product and that spent a little more
          polish  that  the  quickies  being  churned  out  by                      Cast
          numerous independent outfits out for a fast  buck
          on the smallest investment possible. When  F.B.O.   Jack  Perrin
          ceased operations with the advent of sound,  Buzz   Pauline  Curley
          scrambled for work along with other cowpokes shot   Billy  Lamarr (Buzz  Barton)
          out of the saddle by technology. At  Big 4,  a small   Tom  London
          indie firm,  he  teamed  up  briefly with Wally Wales   James Welch
          in  four cactus capers,  shared  honors with Rin-Tin-  Milburn  Morante
          Tin  in  one feature,  and  starred solo in  another. At   Whitehorse
          Mascot, Nat Levine featured him along with Rin-Tin-  "Starlight" (a  horse)
          Tin,  Walter  Miller,  and  June  Marlowe  in  the  serial   "Rex" (a  dog)
          THE LONE DEFENDER, but by the end of 1931  Buzz
          temporarily abandoned the screen to hit the rodeo   1.  HI-JACKING RUSTLERS
          circuit and star in  a stage revue.  He was only 19.  I
          have  not  been  able to  find  any  screen  credits for   Released .......... . .. . ..... •-• November,  1926
          Buzz for the years '32, '33, and '34, but it is probable   Distributor. . . . . . . . . . . . . . . . . . . . . . . . . . . .  Rayart
          that  he  was  in  a few  westerns during this time in   Length . .............................. 5  Reels
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