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                        Well,  Suzanne,  there's  only  one  more  for  the  road.


                        4.  In  the  middle  '50s  J.P.  Cahn  -- a  man  from  Stockton,
                        Montezuna  prep  school  and  Stanford  University  -- was
                        promotion  manager  of  The  Chronicle.  He  was· an  enormous
                        fellow  with  a  deep  and  compelling  voice  and  was  an
                        accomplished  blues  singer.

                        For  some  reason  or  other,  J.P.  was  convinced  that  some
                        of  the  lesser  primates  in  general,  and  an  old  chimpanzee
                        named  Bimbo  in  particular,  had  a  native  sense  of  jazz
                        rhythm  and  could  be  taught  to  play  the  drums. And  so
                        I  decided  to  research  Cahn's  theory  and  bring  this
                        quasi-scientific  theory  to  a  conclusion,  once  and  for
                        all,  and  then  we  could  get  on  to  more) traditional               jour-
                        nadistic investigations.

                        Consequently,  one  early  morning  J.P.  Cahn,  and  a  friend
                        of  his  named  Hal  McIntyre  who  was,I  think,  a  San  Francisco
                        disc  jockey,  a  professional  magician  and  an  accomplished
                        clarinetist,  and  I  -- the  three  of  us  drove  out  to  the
                         beach  and  took  up  a  position  immediately  behind  Bimbo's
                        cage  on  the  ocean  side  of  the  Fleishhacker  Zoo's  ape
                        house.

                        The  weather  was  scrofulous,  foggy,  with  mist  dripping
                         from  the  tree  branches.  Bimbo  was  already  up  and  swinging
                         around  in  his  cage.  This  particular  Fleishhacker  suite
                        was  furnished  with  a  rubber  tire  swing,  an  old  tree  trunk
                        with  some  worn  and  desiccated  limbs,  and  a  gathering  of  early
                         ape  house  decor  items.  Bimbo  swung  back  and  forth;  he
                         did  in  fact  seen  to  bang  on  the  pots  or  his  walls  in  a
                         kind  of  random  rhythm  -- or  despair  -- I  am  not  sure
                         which.

                         I  don't  think  I  shall  ever  forget  this  bizarre  scene  -- the
                         three  of  us  naked  apes  standing  there,  cold  and  uncomfortable
                         in  the  miserable  low-hanging  San  Francisco  fog,  with  Bimbo
                         rattling  the  furnishings  and  knocking  around  morosely
                         in  his  lodging  house.         It was  a  somber  moment  when  Hal
                         McIntyre  finally  managed  to  fit  his  clarinet  together,
                         and  in  the  misty  shroud  of  inclement  Golden  Gate  fog  began
                         to  tootle  -- not  play,  but  tootle  -- about  five  choruses
                         of  the  "Tiger  Rag".        Not  another  sound  out  there  in  the  murk
                         but  the  godforsaken  strains  of  "Hold  That  Tiger!",  the
                         drip,  drip,  drip  of  the  fog,  and  an  occasional  thwack,
                         crack,  bump,  and  thump  from  poor  old  Bimbo,  swinging  back
                         and  forth  in  his  cell.
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