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                  1930,]                Kelly:  Yuki  Basketry               425

                     There  is  a  marked  preference  for  the  single  rod  with  multiple
                 welts  and for the three-rod foundation.  When splints or welts occur
                  otherwise than in association with two  rods, they usually lie vertically
                  a:c.d  may  entirely enclose  the rod.  In some  poorly made  baskets,  the
                  principal foundation  may be  of welts with rods more  or less  sporadi-
                  cally introduced.  These  baskets are listed above  as  variable.
                     With the three-rod foundation, one of the rods is often split in the
                 sewing,  automatically producing a  two-rod,  multiple-welt foundation.
                 It is  usually  possible  to  determine  whether  this  latter  structure  has
                  been  produced  automatically  or  voluntarily.  It seemed  intentional
                  in 11  cases  (14  per cent).

                                             Fineness
                     None  of  the  coiling  is  especially  fine,  at least  as  compared  with
                 Pomo  products.  Ninety-five  per  cent of  the  baskets  show  five  or six
                  coils  to  the inch,  and 82  per cent run from  eight to  twelve stitches to
                  the  linear inch.  It is rare to find  more  than twelve  stitches,  but one
                  instance of sixteen stitches was noted.  Some  few  baskets are exceed-
                  ingly  coarse,  averaging  only  three  or  four  stitches  to  the  inch
                  (pl.  124d).  In  these,  of  course,  the  foundation  material  is  clearly
                  visible  between  stitches.


                                            Rim Finish
                     One feature  not in keeping with the mediocrity of  Yuki coiling 1s
                  the neat manner in which the coil is finished  at the rim of the basket.
                  An inch or so  before the termination the coil is thinned and the over-
                  casting continued.  When the  end  is  reached,  the  sewing· is reversed,
                  running back  on  itself for  a  short  distance.  The  result  is  a  sort  of
                  herringbone  effect  when  viewed  from  above.   Unfortunately  this
                  feature  does  not  show  on  any  of  the  photographs.  This  method  of
                  finishing  the  coil  is  not characteristic of the  Pomo nor of any  of the
                  other  Californian  groups  represented  in  the  Museum.  Discounting
                  imperfect specimens,  about 50  per cent of the Yuki  baskets  have  the
                  herringbone  finish.  It does  not seem  to be  correlated  with  the  finer
                  ware but occurs more or less  indiscriminately.
                     Other methods of finishing the  coil are found.  It may be  thinned
                  and  simply whipped  to  the  row  below,  as  was  usual with the  Pomo,
                  or it may be  chopped  off  abruptly  without any  attempt to  graduate
                  the break.  A  good many of the specimens are broken or raveled about
                  the rim, and it is impossible to tell what finish they may have had.
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