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6               "TRA VELIN'  ON"

                 this  that  the  stranger  finally  arrives  and  looks  on.
                 Now  among  these  men  that  are  doing  the  shooting,
                 is  a  man  named  Gila,  a  huge  type  0f  the  Western
                 plains.  Gila is a good shot, an excellent shot, but when
                 the  stranger  finally  takes  a  hand,  Gila  is  up  against
                 the best shot in the world,  and also  Gila is  about two
                 parts drunk, which doesn't add any softening influence
                 to his  brutal nature.  As  the shooting goes  on,  he  be-
                 comes  enraged  at  the  quiet  stranger  who  is,  by  his
                 marvelous marksmanship, actually changing the charac-
                 ter of  the cartoon  by placing  certain  shots  just where
                 he wants them.  So  Gila finally  asserts himself, saying,
                 "I'm Gila from  Arizona.  Who  in  hell  are  you?"

                   The  unruffled  stranger  replies  in  a  cool  drawling
                 manner,  "I never  heard  of  but  two  things  in Arizona
                 by that name before,  one is  a  river what runs and the
                 other  is  a  snake."  Gila  says,  "Never  mind  showing
                 your  knowledge  of  geogr'phy  and  animals.  I'm  here
                 to say that I  ain't runnin'  none and I  ain't no reptile,
                 and  I'm agin  askin'  who  in  hell  are you?"


                   Again  the  stranger  replies  as  cooly  and  quietly
                 as before,  "Not answerin'  you in pertikler,  but for  the
                 benefit  of  our  friends,  I'm  J.  B."

                   At  this  point  the  enraged  Gila  is  completely  gone,
                 and, throwing discretion to the winds, says, "I suppose
                 you  think  you're  a  hell  of  a  feller,  'cause  you  got  a
                 good  outfit  and  ride  a  calico  circus  horse  and  can
                 shoot  at  marks  some,  but  let  me  tell  you,  stranger,
                 (and he lurches over in a tantalizing manner), but let
                 me  tell  you,  shootin'  at  a  mark,  unless  that  mark  is
                 a  human,  ain't no  shootin'  at all.  Any kid  kin  shoot
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