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146                  FILMS  IN  REVIEW

            to  athletics.  At  nineteen  he  went  to   It  was  these  plays,  and  an  occur-
            London  with  the  fabulous  track  star,   rence  in  Cleveland  while  he  was  play-
            Lon  Myers,  and  there  set  a  world   ing  there,  that  gave  his  career  its  di-
            record  for  the  three-and-a-half-mile   rection  and  his  life  its  goal.
            walk.                             In  Cleveland  Hart  saw  his  first
             At  that  time  Hart  had  two  am-  Western  film.   The  thing  that  im-
            bitions:  to  go  to  West  Point,  and  to   pressed  him most was  the  terrible  mis-
            go  on  the  stage.   West  Point  was   representation  of  the  Old  West.  "I
            out  because  he  lacked  the  schooling.   was  an  actor  and  I  knew  the  West,"
            "The  stage  idea  jus·t  came,"  Hart said   he  wrote later.  "The opportunity that
            years  later,  "and  always  remained,   I  had  been  waiting  for  years  to  come
            and  will  be  with  me  when  the  final   was  knocking  at  my  door  .  .  .  Rise
            curtain  is  rung  down."       or  fall,  sink  or  swim,  I  had  to  bend
             While  working  as  a  postal  clerk  in   every  endeavor  to  get  a  chance  to
            New  York  City's  main  post  office  he   make  Western  motion  pictures."
            took  acting  lessons,  and  F.  F.  Markey,   He  kept  this  ambition  to  himself,
            one  of  the  finest  actors  and  teachers   and  for  the  remainder  of  the  season
            of  the  day,  was  one  of  his  teache;s.   went  to  the  movies  whenever  possible
            Daniel  E.  Bandemann,  an  actor-man-  and  studied  what  he  saw.
            ager,  gave  Hart  his  first  part  on  the   While  he  was  touring  in  The  Trail
            professional  stage-in  Romeo  and   of  the  Lonesome  Pine  the  company
            Juliet.   By  coincidence,  it  opened  in   played  California  and  Hart  dis-
            Newburgh,  the  city  of  his  birth.   covered  that  his  old  friend,  Tom
              For  the  next  twenty  years  Hart   Ince,  had  become  the  head  of  the
            earned  his  living  as  an  actor.   He   New  York  Motion  Picture  Company's
            toured  the  US  and  Europe,  and  was   studios.  He  told  Ince  of  his  determi-
            leading  man  to  Mme.  Rhea,  Julia   nation  to  make  Westerns.  Ince  said
            Arthur,  and  Modjeska.  His  first  per-  Westerns  were  a  drug  on  the  market.
            sonal  critical  a0claim  was  as  Messala   \Xlhen  Hart  persisted,  Ince  agreed  to
            in  the  original  Ben  Httr  company.   give  him  a  chance.  He  completed  his
            He  played  in  Ben  Hur  for  several   tour  with  The  Trail  of  the  Lonesome
            seasons,  and  then,  like  many  another   Pine  and  returned  to  California  in
            actor,  hit  a  series  of  fl.ops.   At  this   the  summer  of  1914.
            juncture  he  shared  a  room  in  the   The New York Motion Picture Com-
            old  Hotel  Harrington,  on  Broadway   pany was owned by Adam Kessell  and
            at  44th  Street,  with  a  young  and   Charles  Baumann, and  included  Mack
            struggling  actor  named  Thomas  H.   Sennetfs  Keystone  Company.  Their
            Ince.                           studios  were  located  in  what  was
              Then  Hart  got  the  Cash  Hawkins   called  Inceville,  at  the  mouth  of  the
            role  in  The  Squaw  Man- bis  first   Santa  Monica  canyon,  along  the  pres-
            "Western"  role  on  the  stage,  and  he   ent  Roosevelt  Highway.  · There  were
            played  it  to  the  hilt.  Next  came  The   several  open  air  stages,  a  few  open  air
            Barrier,  followed  by  the  lead  in  the   sets  of Western  towns  and  the  like,  a
            road  company  of  The  Virginian.   building  to  house  props,  stables,  and
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