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some  sheds.  The  principal  players
         were  Charles  Ray,  Frank  Borzage,
         Tom  Chatterton,  Sessue  Hayakawa,
         Gladys Brockwell, Rhea Mitchell, Enid
         Markey,  Louise·  Glaum,  Tsuro  Acki,
         Clara  Williams,  Dick  Stanton,  and
         Walter  Edwards  (the  last  two  also
         directed) .  The  regular  directors  were
         Reginald  Barker,  Raymond  B.  West,
         Charles Giblyn,  and Scott Sidney.  Ince
         supervised  all  production  and  released
         through Mutual Film Exchanges  (John
         R.  Freuler  and  Harry  M.  Aitkin)
         under  the  brand  names  of  Bison,
         Domino,  Kay-Bee,  and  Broncho.
          Hart's  first  two  films  were  His   Hart  in  WILD  BILL  HICKOK  (1923)
         H our  of Manhood  and  Jim  Cameron's
         tt7ife.  They  were  two-reelers  s,tarring   score  of  two-reelers,  plus  several  fea-
         Tom  Chatterton,  who  also  directed,   tures.  Some  of  the  best- Mr.  Silent
         with  Clara  Williams  as  the  heroine   Haskins,  The  Darkening  Trail,  Pinto
         and  Hart  as  the  heavy.  They  fell  far   Ben,  and  Keno  Bates  Liar- had  a
         short  of  what  he  had  hoped  for  and   success  equalling  that  of  the  films  of
        Hart  told  Ince  so.  Ince  put  him  in   Mary  Pickford,  Douglas  Fairbanks
         a  feature  written  by  C.  Gardner  Sulli-  and  Charles  Chaplin.
        van,  one  of  the  first  great  scenario   In  the  spring  of  1915,  after  Hart
        writers,  called  The Bargain.  Reginald   had  completed  over  twenty  films,
        Barker,  a  young  Scot,  directed.   It   Harry  M.  Aitken  formed  the  Tri-
        was  a  good  picture  and  Hart  was   angle  Film  Corporation  by  absorbing
        pleased.  It  was  quickly  followed  by   the  New  York  Motion  Picture  Com-
         On  the  Night  Stage,  which  Barker   pany,  Reliance-Majestic,  and  Key-
        also  directed.  After  it  was  completed   stone.  D.  W.  Griffith,  Mack  Sennett,
        Ince  released  Hart,  who  returned  to   and  Thomas  H.  Ince  were  the  di-
        New York.  His  sojourn had been  un-  rector  generals.
        profitable,  and,  he  thought,  unsuc-  Hart's  Triangle  films  are  the  most
        cessful.                         typical  of  all  his  pic,tures,  and  some
          But  The  Bargain  was  a  hit.  Ince   are  among  his  best.  The  Aryan  and
        called  him  back  at  once  and  put  him   The  Return  of  Draw  Egan  are  still
        under  contract  as  a  director-actor  at   in  cir,culation  today.  Both  were  writ-
        $125  a  week.   Hart  took  his  sister   ten  by  C.  Gardner  Sullivan  and  di-
        Mary  with  him,  convinced  he  was   rected  by  Hart.  They  are  similar  in
        now  going  to  stay  in  movies.   form,  and  in  both  there  is  accurate
          The  first  picture  he  directed,  and   reconstruction  of  atmosphere,  meticu-
        starred  in,  was  The  Passing  of  Two   lous  characteriza,tion,  and  a  slow
        Gun  Hicks.  It  was  followed  by  a   build-up  of  tension   rather  than
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